Amber Jamilla Musser writes about my Dark Matter photography series for her essay Sensing Brownness: On Racialization, Perception, and Method. She states that “visibility comes down to a question of valuation. In this way, Catbagan reminds us that our experience of art, museums, and even knowledge production more broadly is framed by work, people, and spaces that are often marginalized.” Her article is featured in the March 2022 issue of After Image.
Brooklyn Rail - Art Books Review
Amber Jamilla Musser reviews all three shows at the Center for Book Arts Spring 2021 exhibition including my show Lights, Tunnels, Passages, and Shadows. She connects them as manifesting “theorist Donna Haraway’s concept of sympoiesis and use the forms of the book to enlarge what constitutes knowledge and being together.” The review is featured in the June issue of the Brooklyn Rail.