Amber Jamilla Musser reviews all three shows at the Center for Book Arts Spring 2021 exhibition including my show Lights, Tunnels, Passages, and Shadows. She connects them as manifesting “theorist Donna Haraway’s concept of sympoiesis and use the forms of the book to enlarge what constitutes knowledge and being together.” The review is featured in the June issue of the Brooklyn Rail.
Lights, Tunnels, Passages & Shadows - Center for Book Arts
Lights, Tunnels, Passages, and Shadows exhibition examines the transcendent possibilities of peripheral spaces within museums. A utilitarian passage transforms into an ethereal opening. A mundane corner vibrates with a change of light. An invisible worker’s movement conveys visual poetry. Stairwells become illuminated, meaningful, and spiritual. Shifting the visual paradigm of these spaces, objects, and people changes their meaning and the viewers’ relation to them.
The photographic series is featured in a boxed folio containing three fold-outs that enable the images to be arranged into multiple compositions creating abstract narratives that connect the peripheral to the sublime while focusing on the museum worker as mediator. These re-configured fold-outs act as architectural interventions illustrating that while the marginal is designated towards boundaries, it can also be the edge towards boundlessness.
A Spirit of Disruption
My collab video Abang-guard Work Habits: ARoS with artist Jevijoe Vitug is part of media in the round section of A Spirit of Disruption exhibition commemorating SFAI’s 150th anniversary. Curated by Margaret Tedesco and Leila Weefur the show focuses on “celebrating the history of the institution and prioritizing untold stories from those who haven’t historically been included or made visible.” The exhibtion will be on view from March 19-July 3 and was currently featured in Hyperallergic.